Oil on Canvas, 30" X 40"
Whew! This turned out to be more challenging than I thought it would be. Tried to "rough" 'em up, make it more painterly, but I couldn't bear to muck up the eyes and so it kept moving back toward a more finished surface..... I think it'll be ok, though. All that's left is to varnish it and haul it 1200 miles to deliver as a belated wedding present. Even if the recipients view it as a big ol' white elephant, I'm ok with that; they can put it in the dogs' room in the basement.
An aside about giving artwork as gifts: Caveat Emptor. Especially with anything bigger than a loaf of bread. People like what they like, emphasis on "they/them" -- and not YOU. In this particular case, I went ahead anyway for several reasons: 1) recipients are related to me, my niece and her new husband 2) recipients are huge dog-lovers and 3) some 35+ years ago I made some "art" for her parents' wedding present, and it was definitely a whiter-than-white elephant, right from the get-go. To their credit, my brother and sister-in-law never let on to my much younger self (not an artist then) that it was anything but welcome and appreciated.
Point is, I would die of mortification if I ever saw that "art" again; artwork is relative and has a shelf life, some longer than others. Just because it claims to be art doesn't mean it can't be disposed of in due time. I know my tastes have changed over the years -- haven't yours?
Saturday, January 26, 2013
Tuesday, January 15, 2013
Bo & Odie: Works in Progress, Day 2
At the ugly adolescent stage, adjusting shapes and values and colors. Canvas was the light green color and I kind of like that, we'll see how much ends up staying in the final piece.
Bo & Odie: Works in Progress, Day 1
Ok, here we go-- wedding present for my niece Lisa & Ryan. I know they like dogs, just a bit worried that they might not like THIS MUCH dog -- 30 x 40 in oil.
Tuesday, November 20, 2012
Monday, November 19, 2012
Time Out (Not Sorry)
Tuesday, October 23, 2012
North East Watercolor Society International Exhibition Top Award Winner!!
She Wants to Play
30 x 22 Watercolor
Got a phone call from Richard Price of NEWS advising that juror Mel Stabin had chosen this painting for top honors at the 2012 International Exhibition out on the east coast. After I hung up the phone I wasn't sure that I heard correctly and have been fearful to tell anyone.... what if he said "an" award and not "top" award? It's usually called the "Excellence Award" and I can't remember that word being used..... so, my bad if I'm wrong here....and really embarrassing.
30 x 22 Watercolor
Got a phone call from Richard Price of NEWS advising that juror Mel Stabin had chosen this painting for top honors at the 2012 International Exhibition out on the east coast. After I hung up the phone I wasn't sure that I heard correctly and have been fearful to tell anyone.... what if he said "an" award and not "top" award? It's usually called the "Excellence Award" and I can't remember that word being used..... so, my bad if I'm wrong here....and really embarrassing.
Thursday, October 4, 2012
Nap with Dog #4 Study
14" x 11" watercolor
For some reason I have a lot of images of daughter Sar with her weiner dog Cowboy, and this would be the 4th one I have painted, 5th if you count the even smaller study I did but can't locate at the moment -- too bad, cause it's my fav. I started a full sheet (30 x 22) painting based on this, but ran into trouble in the middle section, the sweatshirt and left arm. Another reason I like studies: what doesn't bother me at all in a smaller study becomes a glaring misstep when made large. I'll have to resolve this before continuing.
For some reason I have a lot of images of daughter Sar with her weiner dog Cowboy, and this would be the 4th one I have painted, 5th if you count the even smaller study I did but can't locate at the moment -- too bad, cause it's my fav. I started a full sheet (30 x 22) painting based on this, but ran into trouble in the middle section, the sweatshirt and left arm. Another reason I like studies: what doesn't bother me at all in a smaller study becomes a glaring misstep when made large. I'll have to resolve this before continuing.
Labels:
dachshund,
dog,
figure,
nap,
study,
watercolor,
weiner dog
Wednesday, October 3, 2012
Farm Belt Breakfast
22" x 15" Watercolor
Continuing in the still life theme. I had to switch this older piece to a different frame, so this time I remembered to take a photo.
Continuing in the still life theme. I had to switch this older piece to a different frame, so this time I remembered to take a photo.
Tuesday, October 2, 2012
Still Life with Mannequin
14" x 20" Watercolor
From the pile under the bed. Tweaked it a bit and decided it was a keeper. Probably should've cropped in closer, but too much to do to get ready for Studio Crawl in Fargo-Moorhead this weekend. Stop by and say hello if you're out and about.
From the pile under the bed. Tweaked it a bit and decided it was a keeper. Probably should've cropped in closer, but too much to do to get ready for Studio Crawl in Fargo-Moorhead this weekend. Stop by and say hello if you're out and about.
Monday, October 1, 2012
Bride Revisted
40" x 30" oil, in progress
Revised the size of the head and a few other shapes and lines; started rubbing in a thin layer of local color in hopes that it will be dry and ready to use as a demo on Saturday during the Studio Crawl. Overall, shapes still feel a bit clunky, and I'm going to have to get off the fence and decide about whether to approach as old school portrait or in a more modern fashion, with flat shapes and paint surface qualities. It will be a learning experience either way, I just don't want to end up straddling the two ideas and achieving neither (a familiar story). Or, maybe I'll stop worrying about it and just make it up as I go.
Revised the size of the head and a few other shapes and lines; started rubbing in a thin layer of local color in hopes that it will be dry and ready to use as a demo on Saturday during the Studio Crawl. Overall, shapes still feel a bit clunky, and I'm going to have to get off the fence and decide about whether to approach as old school portrait or in a more modern fashion, with flat shapes and paint surface qualities. It will be a learning experience either way, I just don't want to end up straddling the two ideas and achieving neither (a familiar story). Or, maybe I'll stop worrying about it and just make it up as I go.
Labels:
bride,
figure,
modernism,
oil painting,
traditional,
wedding
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